Radio transplant brings AT&T Galaxy Note to life on T-Mobile's '4G' HSPA+

Since it emerged that the AT&T Galaxy Note's hardware supported T-Mobile's HSPA frequencies, there's been a cash bounty out for anyone able to bring Tmo 3G and '4G' connectivity to the device. Now it may be time for someone to collect that reward, as a method involving copying over parts of radio firmware from other devices has resulted in success.

The method, discovered by hacker 'Tomin.FHL,' requires users with rooted, SIM-unlocked AT&T Notes to download and flash specific parts of a radio file from another phone through ClockworkMod recovery. And that's pretty much it. Though obviously you'll well and truly void your warranty in the process, which means you'll be on your own if something goes wrong (like, say, bricking your phone because you flashed a hacked radio onto it).

Over on XDA?, various forum members have tried the hack with varying levels of success. The general consensus seems to be that it works, though you can expect slower HSPA data rates than you'd get on an officially-sanctioned Tmo device. If you're understand the risks, you'll find more info over at the source link.

Source: XDA; via: TechCrunch

Source: http://feedproxy.google.com/~r/androidcentral/~3/4rmjKt3AlIc/story01.htm

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The firm that keeps heating oil flowing to Assad's Syria

LONDON (Reuters) - Oil traders arranging millions of dollars worth of fuel shipments to Syria sit in the office of a little-known firm in Greece.

The fuel, liquid petroleum gas for cooking and domestic heating, is not covered by international sanctions against the government of President Bashar al-Assad, but some critics charge that by keeping the supplies flowing the firm, Naftomar, may be lessening the risk to Assad of a wider revolt.

One of the traders is a U.S. national. Some of the fuel shipped from floating tanks in the Mediterranean may come from Saudi Arabia, a critic of Assad's crackdown on his opponents. This is possible because Naftomar stores and mixes fuel from many different suppliers in the Mediterranean.

International sanctions do not apply to liquefied petroleum gas (LPG) for humanitarian reasons. Indeed, by providing heating and cooking fuel the firm says it may well be preventing an even worse disaster in a country where a year of violence has already claimed over 7,500 lives, according to U.N. estimates.

"We would tend to feel that it is unfair to deny such a basic commodity as LPG to consumers as part of a political statement. Currently there is no embargo to supply LPG to Syria which we believe is for humanitarian reasons," Naftomar director J.C. Heard said in a statement.

Some critics charge that by delivering the fuel, worth at least $55 million each month, Naftomar may be helping to extend Assad's rule. "We advise anyone that is cooperating with the regime right now to stop supporting it. Traders or otherwise, we advise them to take a firm stance against Bashar al-Assad," said Melhem Al-Droubi from the opposition Syrian National Council.

"At some point we are going to give a notice period to these people and after that if they don't take a position, they will be considered partners in killing and partners in the repression of the Syrian people," he said. Old allies Russia and Venezuela still send cargoes of other fuels, including diesel which can be used to run army tanks. But imports of LPG, a peaceful material, hinge on Naftomar. Best known as a barbecue fuel in many places, these small canisters play a vital role in countries with limited infrastructure for piping gas.

"While it is very difficult (and outside our scope) to make political judgments, we understand that the LPG that is imported into Syria is used for domestic uses such as heating and cooking," Heard said in Naftomar's statement.

A spokeswoman for European Union foreign policy chief Catherine Ashton said the bloc did not impose sanctions on refined oil products "because of potential effects on the Syrian population". A source in one EU member state involved in drafting the sanctions on Syria said that was unlikely to change in the near future.

OTHER OIL FIRMS CUTTING TIES

International sanctions have halted Syrian oil exports since September 2011, stretching budget revenues. Attacks on pipelines by rebels have also almost idled Syrian refineries and made it more dependent than ever on foreign deliveries.

Syria consumed some 840,000 tonnes of LPG in 2009, according to the International Energy Agency and traders say Naftomar is effectively the only party supplying Syria at the moment.

Other oil firms, including the world's biggest trader Vitol and Italy's oil and gas firm Eni say they have no relations with Syria. Market participants familiar with their business say they will not deal with Syria for fear of being associated with its rulers.

Sytrol, the Syrian oil company responsible for fuel imports and exports, was placed on a U.S. blacklist last summer and the European Union followed suit in December. The Syrian central bank is also blacklisted. As a result, difficulties processing payments have prevented even willing oil firms from doing business with Syria.

A source familiar with Syria's LPG business said Naftomar can keep up deliveries because it is dealing with state-owned, Damascus-based distributor Mahrukat. Also called the Syrian Company for the Storage and Distribution of Petroleum Products, it does not yet feature on the sanctions lists.

This week, a U.S. House committee voted to impose new sanctions on Syria's energy sector which would effectively ban the delivery of refined petroleum products.

Sytrol and Mahrukat were not available to comment. A cold snap in the Mediterranean region, which sent temperatures to record lows last month, has caused LPG prices to rise.

Samir Nashir, from the executive council of the Syrian National Council, representing the opposition, said he believed there are many opposition areas that have been blocked from receiving fuel, electricity, water and humanitarian assistance.

"This is one of the group punishments against areas that have flared up with protests against the regime," he said.

"There are businessmen that are backing away from the regime but others whose wealth was made by their relationship with the regime so they are dependent on it. They will defend this regime to the very end and we won't be able to convince them to change this. Their end will come along with the regime."

Naftomar says on its web site it has been "on the leading edge" since it was founded in Beirut, Lebanon, in 1972. With sales of $2.7 billion in 2008, according to the latest available data, the website says it is a pioneer in LPG imports into Pakistan and Syria, and was instrumental in encouraging LPG imports into China.

Behind the white-washed walls and leafy treetops of Naftomar's office in Athens, the leading figure in this trade is a man described by his peers as a Syrian national, with links to Greece's shipping elite and ties to Lebanon. Talal Zein founded Naftomar in Beirut and the trading house has since grown to dominate the heating fuel business in the east Mediterranean, with a fleet of more than 20 vessels.

Ship tracking data shows one of the most recent deliveries to the Syrian Mediterranean port of Banias arriving aboard Naftomar's "Gaz Explorer" tanker. Last year, Naftomar was among the first to bring vital shipments to the Libyan rebels in besieged Misrata, according to shipping data and market sources.

Naftomar gets its LPG supplies from Russia, Algeria and Saudi Arabia, according to market sources. The origins of the liquid gas are difficult to trace because it is mixed in Naftomar's floating tanks in the Mediterranean. Supplies often reach Syria through Lebanon, where Naftomar has large storage capacity. Traders say and shipping data show that Naftomar supplies around 50,000 tonnes of LPG a month to Syria.

Industry sources say Talal Zein has handed down most of daily operations to his nephews and son-in-laws, Riad and Imad Zein. The sources, who declined to be named because of the sensitivity to their business, also identify U.S. national J.C. Heard as a commercial director at the company. Heard said: "We have a term arrangement to supply LPG to Syria and We hope that the situation improves in Syria and that LPG can continue to be supplied to meet the needs of the general public."

At current market prices, Naftomar's LPG business with Syria is worth around $55 million a month. In Syria, Talal Zein is praised by some in the medical community for his philanthropic work. "Zein exemplifies the ideal Syrian national, living outside his country of origin," the Syrian Cardiovascular Association, which has awarded over 20 prizes worth around $3,000 on Zein's behalf, wrote during its congress in 2009.

(Reporting by Emma Farge, Jessica Donati, Dmitry Zhdannikov, Erika Solomon and Sebastian Moffett; editing by Janet McBride)

Source: http://news.yahoo.com/firm-keeps-heating-oil-flowing-assads-syria-124303779.html

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Source: http://www.shaneburke.me/by-using-social-networking-websites-to-push-your-home-business/

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Even though Japan is one of the biggest markets for online casinos, almost all forms of gambling are forbidden. In fact, no online casino nor land based casino is operated out of Japan. About 2 years ago, the Japanese government started speculating with some of the biggest casino groups of today?s industry on the hypothesis of opening a market for the online gaming industry.

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The general consensus to legalize online casinos and land based casinos in Japan is relatively good even though the legislation process is quite slow. The main concerns of the Japanese government are the problems associated with the gaming industry such as mafia crimes and frauds. Another obstacle Japan wishes to avoid that could potentially be very problematic is underage gambling and gambling addiction.

The Japanese government clearly stated that if online casinos and land-based casinos were to be legalized, they would be very strictly controlled. The reason why the world?s major casino groups are putting so much efforts in Japan is because they fit every criteria for a successful industry. The government is responsible, Japan has a very big population, the population is relatively wealthy, and they are always looking for new forms of entertainment. The gaming industry is keeping its fingers crossed that by Japan legalizing online and land-based gaming, it will open the mind of many other countries in legalizing the gaming industry.

Source: http://www.casinodeal.com/news/japan-looking-to-legalize-online-gambling/?utm_source=rss&utm_medium=rss&utm_campaign=japan-looking-to-legalize-online-gambling

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Utah Cultural Alliance Events Blog: FAX Exhibit @ UMOCA (SLC ...

Utah Museum of Contemporary Art Announces:

FAX

Opening March 2, 2012 with a First Friday celebration

www.utahmoca.org | 20 S West Temple, Salt Lake City, UT 84101
Tue-Thu & Sat 11 AM ? 6 PM, Fri 11 AM ? 9 PM

For Immediate Release: ?February 24, 2012

SALT LAKE CITY, UT ?? Utah Museum of Contemporary Art announces the opening of traveling exhibition FAX, Guest curated by Jo?o Ribas and co-organized by The Drawing Center and Independent Curators International.? FAX has grown and morphed since it?s opening at The Drawing Center in New York in 2009, and has travelled world-wide, amassing faxes in Europe, Asia, and the Americas. UMOCA hosts a comprehensive presentation of the exhibition, and will open with a First Friday celebration on March 2, 2012, and close June 23, 2012.

?FAX challenges our notion of where an art exhibition can wind up and what form it takes when it gets there. This presentation teleports to the ends of the earth riding on the technological whimsy of this thought-to-be obsolete mode of communication. As an artistic medium, the 500+ artists have created a material legacy that will keep fax machines transmitting for generations to come,? says Aaron Moulton, Senior Curator of Exhibitions, Utah Museum of Contemporary Art.

Moulton has added the following artists to FAX: Mike Bouchet, Salotto Buono, Roisin Byrne, Keren Cytter, Sejla Kajmeric, Daniel Kingery, Forniture Pallotta, Bertrand Planes, Jared Steffensen, and Ignacio Uriarte.? Other artists will be added over the course of the exhibition and will be included in future presentations at other institutions world-wide.

FAX invites a multigenerational group of artists, as well as architects, designers, scientists and filmmakers, to re-conceive of the fax machine as a tool for thinking and drawing. Although the technology for transmitting

printed images and texts dates from the nineteenth century?a machine by Scottish mechanic Alexander Bain patented in 1843?it was the introduction of the modern fax through commercially available machines in the 1970s that turned facsimiles into a ubiquitous communications medium for international business. Artists readily exploited its immediate, graphic, and interactive character, making it an important part of the history of media art, nestled between the legacy of Fluxus and the nascent practices of new media. But with the fax machine now fast becoming a technology of the past, how do artists see the potential of the fax transmission today?

Faxes by nearly 100 artists that were sent to the initial showing of FAX at The Drawing Center form the core of the exhibition, including seminal examples of early telecommunications art. Each institution on the tour is encouraged to invite up to twenty additional artists to submit works, which will be presented at all successive venues. These works are transmitted to each participating institution?s working fax line throughout the duration of the exhibition. The active accumulation of information?received in real time, in the exhibition space?includes drawings and texts, and even the inevitable junk faxes from telemarketers and local businesses as well. All the transmitted pages are archived or displayed together with the active fax machine, which may produce new faxes from invited artists at any moment. The result?an ongoing cumulative project?is a show concerned with ideas of reproduction, obsolescence, distribution, and mediation.

Since the first showing of FAX at The Drawing Center, the exhibition has been presented in 14 galleries in Europe, Latin America and Asia, as well as North America, with over 200 artists from all over the world invited to participate by each host curator. At times, the exhibition has also been shown simultaneously, and at one point was even in three different countries: Para/Site Art Center in Hong Kong, Burnaby Art Gallery in British Columbia, and Museo de Arte Carrillo Gil in Mexico City. Recently, FAX was exhibited at the South London Gallery in the U.K. and the Knoxville Museum in Tennessee, where the two institutions had kept in contact throughout the duration of the exhibition. Subsequently, FAX has the ability to explore the potential of simultaneous and real-time exhibitions ? furthering the unlimited possibilities of developing international collaborative exchange.

ABOUT THE GUEST CURATOR

Jo?o Ribas is curator at the MIT List Visual Arts Center and a widely published critic. He was previously curator at The Drawing Center in New York, and has organized over thirty exhibitions in the U.S. and abroad. Ribas is the winner of an Emily Hall Tremaine Exhibition Award (2010) and two consecutive AICA Awards for Best Exhibition (2008/2009). He has contributed essays to numerous exhibition catalogs and monographs, and has been a visiting lecturer for institutions and organizations worldwide. He was previously adjunct faculty at the School of Visual Arts, New York, and currently teaches at the Rhode Island School of Design.

EXHIBITION ITINERARY

The Drawing Center

New York, New York

April 17, 2009 ? July 23, 2009

Contemporary Museum, Baltimore

Baltimore, Maryland???????????????????????? ????????????

September 12, 2009 ? December 20, 2009???????????????????????????

Plug in ICA

Winnipeg, Manitoba, Canada

December 12, 2009 ? February 21, 2010

Torrance Art Museum

Torrance, California

January 14, 2010 ? February 20, 2010

Para/Site Art Center

Hong Kong

February 2, 2010 ? April 1, 2010

Burnaby Art Gallery

Burnaby, British Columbia,

March 16, 2010 ? May 23, 2010

Museo de Arte Carrillo Gil

Mexico City, Mexico

March 24, 2010 ? June 20, 2010

Dowd Gallery, State University of New York,

College of Cortland

Cortland, New York

October 7, 2010 ? December 10, 2010

New Galerie

Paris, France
November 6, 2010 - December 18, 2010

Apex Gallery, South Dakota School of Mines and Technology

Rapid CIty, South Dakota
February 15, 2011 - April 3, 2011

Carpenter Center for the Visual Arts

Cambridge, Massachusetts
March 7, 2011 - April 10, 2011

St. Paul St Gallery

Auckland, New Zealand
April 8, 2011 - April 30, 2011

Knoxville Museum of Art

Knoxville, Tennessee
August 26, 2011 - November 6, 2011

South London Gallery

London, United Kingdom

September 22, 2011 ? November 27, 2011

DeVos Art Museum

Marquette, Michigan
January 13, 2012 - February 24, 2012

University of Hawaii Art Gallery

Honolulu, Hawaii

February 26, 2012 ? April 15, 2012

Utah Museum of Contemporary Art

Salt Lake City, Utah

March 2, 2012 ? June 23, 2012

San Francisco Arts Commission Gallery

San Francisco, California

May 4, 2012 ? July 22, 2012

CREDIT LINE

FAX is a traveling exhibition curated by Jo?o Ribas, and co-organized by The Drawing Center, New York, and Independent Curators International (ICI), New York. The exhibition and the accompanying publication were made possible, in part, by members of the Drawing Room, a patron circle founded to support innovative exhibitions at The Drawing Center; and by support to ICI from the Andy Warhol Foundation for the Arts, The Horace W. Goldsmith Foundation, the Robert Sterling Clark Foundation, and ICI?s Board of Trustees, as well as the ICI Access Fund.

ABOUT ICI

Independent Curators International (ICI) is a non-profit headquartered in New York that produces exhibitions, events, publications, and training opportunities for audiences around the world. Working across disciplines and historical precedents, since 1975 the organization has connected emerging and established curators, artists, and institutions, to forge international networks and bring behind-the-scenes curatorial discourse to new publics.

In the last two years, 12 ICI exhibitions have been presented by 66 venues in 20 countries profiling the work of over 350 artists worldwide; 103 curators and artists from the U.S. and abroad have contributed to ICI?s talks programs, online journal, and conferences; and 80 emerging curators from 27 countries and 14 U.S. states have participated in the Curatorial Intensives, ICI?s short-course professional training programs. Through online resources and the creation of a new Curatorial Hub in New York, ICI?s fast-growing Curator?s Network provides members with up-to-date information on jobs and other curatorial opportunities, as well as access to articles, books, and round-table discussions addressing the latest curatorial debates.

UMOCA
Utah Museum of Contemporary Art (formerly Salt Lake Art Center) was recognized as Best Museum in the State of Utah for 2011. ?Founded in 1931 and now located in the heart of Salt Lake City, UMOCA exhibits groundbreaking work by leading local and international artists. UMOCA is currently exhibiting 2012 Sundance Film Festival New Frontier. ?Coming up in June is Play Me I?m Yours, inviting the people of Salt Lake to show off their piano skills on street corners all over Salt Lake.? Recent exhibitions include Kim Schoenstadt, winner of the 2011 Catherine Doctorow Prize for Contemporary Painting; Fallen Fruit of Utah, a state-wide collaboration with museums and individuals about the role of fruit in Utah?s history, led by artist collective Fallen Fruit; Lawn Gnomes Eat Your Hearts Out, a community public sculpture initiative designed to move the very best in contemporary art outside the four walls of the gallery and into places where people work, live, and play; Robert Fontenot?s The Place This Is, a conceptual exploration of the stories and histories of Utah and America through materials commonly associated with the domestic realm; and Contemporary Masters: Artist-Designed Miniature? Golf.? UMOCA rounds out its offerings with a lively mix of award-winning educational programs, film screenings, panel discussions, and events celebrating Salt Lake?s vibrant local art scene. UMOCA is located at 20 S. West Temple, just off the intersection with South Temple. Admission is free year-round. Business hours are Tuesday-Thursday: 11 am - 6 pm; Friday: 11 am - 9 pm; Saturday: 11 am - 6 pm; closed Sunday and Monday. For more information call (801) 328-4201 or visit www.utahmoca.org.

###

For additional information regarding ICI, please contact Mandy Sa at mandy@curatorsintl.org or at 212.254.8200 ext. 121.

Emily Brunt

Source: http://ut-cultural-alliance.blogspot.com/2012/02/fax-exhibit-umoca-slc-march-2-june-23.html

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Source: http://firstss.org/self-hypnosis-techniques-might-be-for-utilised-self-applied-improvement/

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Source: http://articles.facebooklikeswebsites.com/art-paint-cool/

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